This Traveltalk series short chronicles the sights and sounds on a train ride from Veracruz to Mexico City.

In a cozy bistro, an increasingly heated discussion between two good buddies reveals their latent sexual prejudices, as one admits to feeling finally set free by a book he has just read.

This film tells the history of the United States from pre-Revolution through 1939.

Described as a 'film argument' about homes and houses, this film is in three parts showing houses as they were, houses as they are and houses as they might be.

A woman lives with her seven-year-old daughter and newborn son in an isolated house in the middle of a mournful landscape; it seems as if winter has encased everything in a bluish, glass-like shell. The nervous woman is filled with a sense of dread and fear, which she tries to sate by taking walks in the woods. Her husband doesn't get home till late, the baby is sick, and she worries about his welfare until she is absolutely frantic. Not understanding his wife's problems, her husband suspects her of exaggerating her mental breakdown. He is unwilling to admit that even his daughter's behavior has altered.

很久以前，一个诅咒降临到了林多家族身上。诅咒: 这个家庭只能生女孩。暂时解除诅咒的唯一方法就是和 Hizuki 家族的人生一个孩子。一旦诅咒被解除，它将每隔三代再次出现在这个家庭中。许多年过去了，现在，林多将是不幸的一个。他原来在 Hizuki 家的未婚夫因为一次悲惨的事故去世了，现在他必须使 Hizuki 家另外四个女孩中的一个怀孕，但是时间不多了。

On his family's farm, Gilberto keeps weapons to support the revolutionaries. When his father find out, he runs out from the hacienda to join them.

This Traveltalk series short visits an array of locations associated with England's heritage. Included are Runnymede, Windsor, Ascot, Lincoln, Wells, Salisbury, Glastonbury, and the ancient Stonehenge site.

Ambitious magistrate Vittoria (Valeria Solarino) makes the dramatic decision to relocate from the north to the south of Italy with one mission in mind – to defeat the Calabrian ‘‘Ndrangheta’ mafia. She is flabbergasted by the violence, the cruelty and the killings that Mafia men project – even youngsters are not spared. But instead of targeting the men, Vittoria tries a new approach; an appeal to the women involved in these circles. The bosses’ wives are as hard as nails; they will not talk and will not betray their powerful husbands, but could it be they have a soft spot for their own children?

When Min-soo's birthday comes, he visits Hui-ja’s house with a feeling of uneasiness. Gladly welcomed by her family, he stares fixedly at the prepared memorial table in the living room. The table was for her son, Jin-woo, who died 8 years ago saving Min-soo's life when he tried to kill himself. Hui-ja greets Min-soo with warmth thinking about her dead son, but he regards everything as a discomfort and a pain. Is it possible to keep each Min-soo and Hui-ja's happiness?